The left hand of all creation (3): Excursus on creative destruction (Spielrein, Schumpeter, Boyd, Land)

Obviously, a concept like creative destruction has an extensive genealogy. In Western philosophy, at least, you can trace variations of the idea back to Greek pre-Socratics like Anaximander and Heraclitus. While the specific locution “creative destruction” is often attributed to Joseph Schumpeter (who probably pulls the term from either Karl Marx or Werner Sombart), the… Continue Reading The left hand of all creation (3): Excursus on creative destruction (Spielrein, Schumpeter, Boyd, Land)

The left hand of all creation (2): Freeing up the objects for use

While including our ordinary understanding of objects (as real objects, out there in external reality), the conceptual vocabulary of psychoanalysis helps us register objects rather more expansively than the ordinary conception of objects alone. For psychoanalysis, objects are not just mere bundles of features or properties occupying space or time, numerically distinct from our own… Continue Reading The left hand of all creation (2): Freeing up the objects for use

The roots of creative darkness

(A shorter version of this post can be found at the DePaul University Institute for Nature and Culture‘s website, Environmental Critique. Thanks to Dr. Christine Skolnik for the invitation to contribute.) Introduction At first glance, the three figures under discussion – Algernon Blackwood, Marion Milner, and Friedrich Schelling – seem to form a rather unlikely… Continue Reading The roots of creative darkness