“Everything in the world is, as we see it now, rule, order and form; but anarchy still lies in the ground, as if it could break through once again, and nowhere does it appear as if order and form were what is original but rather as if initial anarchy had been brought to order.” –… Continue Reading The agora and the archipelago
(A slightly different version of this post was presented at the 2019 Western Political Science Association conference “The Politics of Climate Change,” on the panel “The Status of Nature in the Anthropocene.”) My central claim has two parts. First: ecopessimism is being misunderstood, even by the still relatively few thinkers and writers who we could… Continue Reading Notes on ecopessimism (2): morbid opportunism
(A slightly different version of this post was presented at the 2017 Society for Literature, Science, and the Arts conference “Out of Time,” on the panel “Collective Manifestations: Thinking Futures beyond the Dark Mountain.”) A preliminary clarification: climate change isn’t the problem. Instead, climate change is a symptom of a much deeper problem called the… Continue Reading Notes on ecopessimism (1): decathexis as a mode of futural projection
According to David Cronenberg’s Videodrome (1983), we live in the midst of an occult or psychic war – “the battle for the mind of North America.” Underlying the epiphenomenal worlds of economy and sexuality, there are actually two philosophies in conflict, each vying for control of the future. Call the first Videodrome; call the second… Continue Reading Long live the new flesh: reflections on Videodrome (1983)
This piece has been partially reproduced at the DePaul University Institute for Nature and Culture‘s website, Environmental Critique. Thanks to Dr. Christine Skolnik for the invitation to contribute.
“[…] exit becomes possible only if we divest ourselves of the libidinal constraints and demands we inherit from the civilization into which we are thrown.” “Marina searches the grounds, presumably for Camiel. In the summer house, she encounters a pale hound. Overwhelmed by a sense of the uncanny, she whispers, ‘Camiel?’” “It’s certainly true that… Continue Reading Cold new world: Borgman as a politics of exit