Think of it like this. A causal strangeway describes the crooked or disjointed path by means of which causal effects spiral outward tumultuously from their plural points of origin, traversing ontological modes and orders without regard to adequation or proportion. Examples are endless. Seriously attempt to backtrace almost anything at all, and you’ll rapidly find… Continue Reading On causal strangeways
This piece has been partially reproduced at the DePaul University Institute for Nature and Culture‘s website, Environmental Critique. Thanks to Dr. Christine Skolnik for the invitation to contribute.
“[…] exit becomes possible only if we divest ourselves of the libidinal constraints and demands we inherit from the civilization into which we are thrown.” “Marina searches the grounds, presumably for Camiel. In the summer house, she encounters a pale hound. Overwhelmed by a sense of the uncanny, she whispers, ‘Camiel?’” “It’s certainly true that… Continue Reading Cold new world: Borgman as a politics of exit
Introduction Refer to part one (“Introducing astronoetic cinema”) for the necessary context in which I discuss these two films. In preface, I will note that the critical and popular reception of both films isn’t particularly positive. In part, this is because both suffer from some issues of casting and pacing. However, both films also speak… Continue Reading Astronoetic pessimism and the posthuman: Prometheus and Alien: Covenant as philosophy
Astronautics and astronoetics Philosopher Hans Blumenberg’s posthumously published Die Vollzähligkeit der Sterne (1997, The Fullness of the Stars) introduces a novel distinction. On the one hand, there is “astronautics,” referring both to the pursuit of knowledge of the human by extending its purview to the extraterrestrial and to technical applications of that knowledge in the… Continue Reading Introducing astronoetic cinema